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Workshops

Susan Olgilvie will be coming to teach a 5-day workshop in pastels on April 15, 2013. Known for her vibrant color and stellar compostions, Susan will share her knowledge with 15 students. For more information please click here.

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Galleries

  • The Fat Cat, Ltd. 2205 Oak Ridge Road  Oak Ridge, NC 27310 (336) 643-9500

         Contact: Gwen Lance

  • Village Smith Gallery-Historic Reynolda Village, Winston-Salem, NC 27104

         Contact: Sue Poovey

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Favorite Art Supply of the Month

I've been working with pastels this week and once again I am reminded how much I enjoy using Diane Townsend's terrage pastels, especially her darks. OOOoooo so lovely and rich!

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What's Happening This Week in the Studio

The dog portraits are hung by the easel with glee in hopes of great grins on the really big day! 

I have one more commission of donkeys to paint before Christmas.

I have been so thrilled and blessed by my collectors this year! Thanks to all of you for loving bright and beautiful paintings!

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Art Quote of the Day

"First draw dog, then fleas. First paint apple, then worm holes." Sergei Bongart 

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Bright Off The Easel

The number one request I receive from my students is how to paint more loosely.  We humans have this need to take the crazy out of life and tighten everything up to be neat and organized. That’s great in your closet, but not so great when you want a loose and free painting.  I’ve found some very successful ways for my students to loosen up and they are easy for you to try.  They are a tad crazy, but they work!

  • Paint upside down. Yep, I am so serious.  Why? It turns “off” the left side of your brain, so you are painting what you see (shapes) and not what you know.  If you are painting from a photo, then turn it upside down too.
  • Paint with your opposite hand.  Now don’t moan. You will be so amazed at the results.  Again, you are a little out of control and that means your painting will be looser.  There’s a reason why kid’s art is so appealing; they don’t have the control in their hands yet.  So, let go and loosen up.
  • Put on some great music.  It’s amazing what a good rhythm will do for your brushwork.  Your brush will literally start dancing as you get swept up in the music. Two of my favorites: Vitamin String Quartet and Vivaldi.
  • Use BIG brushes.  Pick up a brush twice as big as you normally use. I like big, cheap painter brushes for my loose work. Magic!
  • Use a palette knife like I am in the photo above.
  • Use a big canvas and cover it quickly. The one I'm working on in the photo is 4 feet by 5 feet!  WHOA!
  • Hold your brush on the end like you would a violin bow.  Do NOT hold it like a pencil.  You want the brush to be loose in you hand so it can move freely.
  • Stand at arm’s length from your painting. 
  • Well, this one is kind of funny.  I’ve had a few night classes and served wine. It’s rather comical how students loosen up with a glass of wine.  I don’t recommend this for an all day painting session, but perhaps on a warm summer evening when you’re in the mood to paint, give the grapes a try! 

Happy Painting,

Carolyn Blaylock

I’m a gal who loves large canvas.  In fact, the bigger the canvas the better as far as I’m concerned.  However, I have to admit there are some great benefits to working in small size. Case in point: the 6” x 6” floral images shown above.  What fun they were to paint!  Here are the advantages I found: 

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Welcome

Here’s where we get to share the painting life together. So, grab a cup of coffee, snuggle up in a chair and let’s talk art. You’ll find ArtTips and Art Trips, not to mention trip-ups (let’s be real) and the happy highs in the life of an artist. And of course, you’ll be the first to see the newest creations Bright Off The Easel!

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May 1, 2013
Happy May Day "Live in the sunshine, swim the sea, drink the wild air." -Emerson "Scouting For Butterflies" 24" x 30" Mixed Media Copyright 2011, Carolyn Blaylock www.carolynblaylock.com